SO, YOU'RE LOOKING FOR A GOOD WOLVERINE COMIC?

WANT A DIFFERENT KIND OF SUPERHERO BOOK?

Way's writing style reminds me a little of Grant Morrison who is no stranger to post-modern superhero deconstruction. Probably my favorite superhero work by Morrison is his SEVEN SOLDIERS OF VICTORY series. An ambitious story consisting of seven four-issue minis that weave in and out of each other to tell a larger epic that spans from the beginning of time to the end of the world, Seven Soldiers is a dense and complicated read. Best enjoyed by reading multiple times with a set of annotations nearby.
INTERESTED IN FINALLY TRYING SOME MANGA?
If you think there are a lot of Wolverine comics out there to sort through, wait until you start trying to figure out what kind of manga to read. There's a lot and, unlike Wolverine comics, they're all pretty different. So, if you're new to it, where to begin? Start with two names: Tezuka and Urasawa.

Naoki Urasawa is the modern day master of manga. His artwork is less cartoony than Tezuka's but his stories draw a lot of influence from his predecessor. In fact, the most recent U.S. release of Tezuka's is Pluto, a dark and intriguing sci-fi book that is based on some secondary characters from Tezuka's kid-friendly Astro Boy. Tezuka's award-winning masterpiece is MONSTER, a 15 volume epic about a Japanese doctor in Germany that 10 years ago saved the life of a young boy who has now grown up to become a dangerous serial killer.
WANT A GOOD CRIME COMIC?

If you want to dig a little deeper into the comic world's crime offerings, seek out some STRAY BULLETS by David Lapham. Over the course of several volumes, Lapham introduces numerous characters and gets them all in over their head in some really nasty situations. For the most part you can pick up any volume that you find and jump in as there is a good mix of self-contained stories with some continuation of larger over-arching plots. Just be aware, if you get too caught up in it, Lapham was self-publishing this book and sort of ran out dough and has left the book hanging for a while now to do some paid work for DC. No word on if and when he will get back to it.
HOW ABOUT A COMIC FOR KIDS?

Boom has recently published a couple of Pixar related books too like a CARS prequel and an INCREDIBLES comic written by the great superhero writer Mark Waid.
LOOKING FOR A LAUGH?

For something a bit on the risque side, there's the self-aware cheesecake comic EMPOWERED which is secretly a fantastic commentary on superhero comic stereotypes and the demeaning nature of "good girl" art. It's about a plucky, superheroine named Empowered whose power derives from her skintight, alien costume. Unfortunately it is ridiculously fragile and prone to being shredded in very revealing ways which leave her powerless and susceptible to being tied up by super-villains. All of which makes her a laughing-stock among other heroes and gives her a complex about her own worth as a hero.
HOW ABOUT SCI-FI?

If you're sci-fi tastes lean more to the retro-side of things though you should be reading Rick Remender and Tony Moore's FEAR AGENT. You can start at the beginning but I really enjoyed VOL 3: THE LAST GOODBYE which tells how an alien invasion turned our hero from a Texas family man into a hard-drinking, spacesuit-wearing ray-gun slinger. It's a horrific invasion story despite its use of goofy looking aliens which will make you think of some of the chilling sci-fi stories told by the EC Comics greats like Jack Davis.
HORROR?

For sheer terror though, try Kazuo Umezu's classic manga THE DRIFTING CLASSROOM. It's about a school in Japan that disappears in an earthquake and reappears in a desert wasteland leaving teachers and children confused, terrified and alone. Everything begins to break apart, much as it did to the poor kids in Lord of the Flies, but Umezu holds nothing back and no one in this story is safe. Children especially.
FINALLY, HOW ABOUT SOMETHING MORE EMOTIONAL AND RESONATING?

Jeff Lemire's Essex County Trilogy is a highly acclaimed graphic novel series that begins with TALES FROM THE FARM a story about an orphaned ten year old who befriends the town's gas station owner as both share a common desire to escape their real world problems into the world of superhero fantasy.
Alex Robinson's TOO COOL TO BE FORGOTTEN is, on the surface, a similar story to that new Zac Effron flick where a middle-aged dad finds himself magically transferred into the body of a high school student. Robinson uses the concept to explore ideas about memory and parenthood in a very touching way.
And, Dash Shaw's BOTTOMLESS BELLY BUTTON is just about the most realistic portrayal of a disfunctional family I've ever seen in comics, despite the fact that the youngest son is drawn with a frog head.
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